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MIDI 2.0 is the result of a global, decade-long development effort.
MIDI NOTE NUMBER ABOVE MIDDLE C SOFTWARE
For example, your recording software could display everything you need to know about a synthesizer onscreen, effectively bringing hardware synths up to the same level of recallability as their software counterparts. These messages can discover, retrieve, and set many properties like preset names, individual parameter settings, and unique functionalities-basically, everything a MIDI 2.0 device needs to know about another MIDI 2.0 device. While Profiles set up an entire device, Property Exchange messages provide specific, detailed information sharing.
MIDI NOTE NUMBER ABOVE MIDDLE C MANUAL
This saves setup time, improves workflow, and eliminates tedious manual programming. But with a "drawbar organ" Profile, that same control surface can map its controls automatically to virtual drawbars and other keyboard parameters-or map to dimmers if the profile is a lighting controller. If a control surface queries a device with a "mixer" Profile, then the controls will map to faders, panpots, and other mixer parameters. MIDI gear can now have Profiles that can dynamically configure a device for a particular use case. What's more, major timing improvements in MIDI 2.0 can apply to MIDI 1.0 devices-in fact, some MIDI 1.0 gear can even "retrofit" certain MIDI 2.0 features. In addition, dynamic response (velocity) has been upgraded. New Note-On options were added for articulation control and precise note pitch. Enhanced, 32-bit resolution gives controls a smooth, continuous, "analog" feel. Controllers are now easier to use, and there are more of them: over 32,000 controllers, including controls for individual notes. To deliver an unprecedented level of nuanced musical and artistic expressiveness, MIDI 2.0 re-imagines the role of performance controllers, the aspect of MIDI that translates human performance gestures to data computers can understand. Higher Resolution, More Controllers and Better Timing They can also exchange information on functionality, which is key to backward compatibility-MIDI 2.0 gear can find out if a device doesn't support MIDI 2.0, and then simply communicate using MIDI 1.0. For example, with the new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialog. MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 Means Two-way MIDI Conversations Here's why MIDI 2.0 is the biggest advance in music technology in decades. Now, MIDI 2.0 takes the specification even further, while retaining backward compatibility with the MIDI 1.0 gear and software already in use. Its ability to join computers, music, and the arts has become an essential part of live performance, recording, smartphones, and even stage lighting. Nearly four decades on, it's clear that MIDI was crafted so well that it has remained viable and relevant.
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Back in 1983, musical instrument companies that competed fiercely against one another nonetheless banded together to create a visionary specification-MIDI 1.0, the first universal Musical Instrument Digital Interface.